{"id":152,"date":"2016-05-20T07:23:31","date_gmt":"2016-05-20T07:23:31","guid":{"rendered":"http:\/\/viennavant.cloud.d2mc.com\/?page_id=152"},"modified":"2016-12-21T13:26:51","modified_gmt":"2016-12-21T13:26:51","slug":"viennavant","status":"publish","type":"page","link":"https:\/\/www.viennavant.at\/en\/","title":{"rendered":"viennAvant"},"content":{"rendered":"<p>In post-war Austria, the country\u2019s occupation by the four Allies and the pervasive presence of a fascist mentality formed the background for the emergence of Vienna\u2019s avant-gardes after 1945. Despite the productive and innovative energies of these actors, who disregarded boundaries between disciplines as a matter of principle and always seemed to be spoiling for a fight, these Viennese avant-gardes have still not been accorded the place in the international art and cultural studies discourse that is due to them on the basis of their significance and impact.<\/p>\n<p>A multidisciplinary group of researchers decided in June 2005 to try and remedy this situation by applying themselves to an integrative stock-taking, analysis and presentation of the movements of the Viennese post-war avant-gardes and their Austrian and international networks. In late 2006 the group constituted itself formally in terms of the law of associations as viennAvant.<\/p>\n<p><a href=\"http:\/\/www.viennavant.at\/symposium-teststrecke-kunst-wiener-avantgarden-nach-1945\/politik-der-wiener-avantgarden\/\">ViennAvant and its activity on Viennese Post-1945 Avant-gardes<\/a><\/p>\n<p>Cross-discipline discussions made it clear in the course of 2008 that the field of research had to be viewed in the context of post-war developments in Austria as a whole and in all of Europe. viennAvant has broadened its agenda accordingly.<\/p>\n<p><a href=\"http:\/\/www.viennavant.at\/wiener-avantgarden-nach-1945\/avantgarden-in-oesterreich-nach-1945\/\">Avant-gardes in Austria after 1945<\/a><\/p>\n<p><a href=\"http:\/\/www.viennavant.at\/europaeisches-netzwerk-fuer-studien-zu-avantgarde-und-moderne-eam\/\">European Network for Avant-garde Studies<\/a><\/p>\n<p>viennAvant\u2019s team includes outstanding experts in the fields of literary studies, drama studies, history, urban studies, sociology, political science, art history, architecture, musicology, free jazz, media theory, film studies and data and project management.<\/p>\n<p>This has turned viennAvant into an extraordinary pool of competence. By coordinating and bundling a large number of contacts to university and extramural research institutions both in Austria and in other European countries, to artists, archives, museums, galleries, concert promoters, national and international festivals and to diverse other institutions viennAvant has become a leading lobbyist for the adequate exploration of this epoch.<\/p>\n<h3>Aims<\/h3>\n<p>\u2192 Structural networking in the field of research on avant-gardes<br \/>\n\u2192 Taking stock and securing of sources through interviews<br \/>\n\u2192 Anchoring the concept \u201cViennese avant-gardes after 1945\u201c in the international discourse on art through conferences and research projects<br \/>\n\u2192 Presentation of the results in a major exhibition<br \/>\n\u2192 Contextualisation of relevant individual projects<br \/>\n\u2192 Documentation in a data bank<\/p>\n<p>In accordance with the complexity of its theme viennAvant has split the undertaking into several modules:<\/p>\n<h3>Presentations<\/h3>\n<p>The team members organise events in collaboration with university and extramural research institutions to discuss various theme-related aspects and issues with members of the interested public.<\/p>\n<p><a href=\"http:\/\/www.viennavant.at\/categroy\/gespraechsreihe\">More about presentations and discussions of ViennAvant in German<\/a><\/p>\n<h3>Symposia<\/h3>\n<p>The symposium \u201cTest Track Art. Post-1945 Viennese Avant-gardes\u201d took place between 21 \u2013 23 October 2009 at the Austrian Academy of Sciences, featuring discussions on theoretical foundations, a viable definition of the Viennese avant-gardes in that epoch and the methodological approaches of comparable projects.<\/p>\n<p><a href=\"http:\/\/www.viennavant.at\/symposium-teststrecke-kunst-wiener-avantgarden-nach-1945\/\">More about this Symposium of ViennAvant<\/a><\/p>\n<h3>Publications<\/h3>\n<p>2011 a substantial documentation of the symposium \u201c \u201cTest Track Art. Post-1945 Viennese Avant-gardes\u201d\u201d has been published in Sonderzahlverlag.<br \/>\n2015 the publication \u201cSchm\u00e4h als \u00e4sthetische Strategie der Wiener Avantgarden\u201d is published as documentation of a panel which a Group of ViennAvant had presented at <span class=\"caps\">EAM<\/span> 2014-conference in Helsinki<\/p>\n<p><a href=\"http:\/\/www.viennavant.at\/category\/publikationen\">More about these publications in German<\/a><\/p>\n<h3>Research projects<\/h3>\n<p>The questions raised at the Symposium are to be developed into multidisciplinary research projects. A series of publications is one of the options under consideration at present.<br \/>\nA crucial desideratum is a series of interviews with a wide range of different personalities \u2013 artists, actors from the fields of cultural politics, event and PR management, and with contemporary witnesses \u2013 for the documentation of Oral History and the safeguarding of material and evidence at present stored in private archives.<\/p>\n<h3>Exhibition<\/h3>\n<p>An exhibition will make it possible to assemble objects in one place that are connected in terms of their period and their content and to vividly recall the avant-gardes. The exhibition catalogue will serve to document research results and make them accessible to a wider public.<\/p>\n<h3>Data bank<\/h3>\n<p>The modules \u201cSymposia\u201d, \u201cResearch projects\u201d and \u201cExhibition\u201c will serve as the basis for a data bank on Viennese Avant-gardes 1945 \u2013 1975. It will not only store findings and keep them permanently accessible but is also designed to make documents available in digitized form. The data bank will enable researchers and students through its comprehensive references in terms of materials, sources and texts to gain unlimited access to this hitherto neglected period. In view of the dwindling resources opened up by the state, this pilot project of information management deserves particular interest.<\/p>\n<h3>Interdisciplinary discourse<\/h3>\n<p>viennAvant does not want to confine itself to tangible products in the public sphere. By energizing the interdisciplinary debate within the cultural sciences and the humanities viennAvant hopes to bring about a push for modernisation in, and enhanced significance of, these fields.<\/p>\n<p><a href=\"http:\/\/www.viennavant.at\/interdisziplinaerer-diskurs\/\">More about the interdisciplinary discourse in German<\/a><\/p>\n<p>ViennAvant is supported by the Cultural Department of the City of Vienna<br \/>\n<span class=\"image original\"> <img decoding=\"async\" class=\"original\" title=\"\" src=\"http:\/\/www.viennavant.at\/images\/27\/original\/wienkultur.jpg\" alt=\"Wien Kultur\" \/> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In post-war Austria, the country\u2019s occupation by the four Allies and the pervasive presence of a fascist mentality formed the background for the emergence of Vienna\u2019s avant-gardes after 1945. Despite the productive and innovative energies of these actors, who disregarded boundaries between disciplines as a matter of principle and always seemed to be spoiling for &hellip; <a href=\"https:\/\/www.viennavant.at\/en\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">viennAvant<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-152","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/www.viennavant.at\/en\/wp-json\/wp\/v2\/pages\/152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.viennavant.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.viennavant.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.viennavant.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.viennavant.at\/en\/wp-json\/wp\/v2\/comments?post=152"}],"version-history":[{"count":1,"href":"https:\/\/www.viennavant.at\/en\/wp-json\/wp\/v2\/pages\/152\/revisions"}],"predecessor-version":[{"id":4025,"href":"https:\/\/www.viennavant.at\/en\/wp-json\/wp\/v2\/pages\/152\/revisions\/4025"}],"wp:attachment":[{"href":"https:\/\/www.viennavant.at\/en\/wp-json\/wp\/v2\/media?parent=152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}